
While "Ten" is rooted in its particular Persian culture, the questions raised by the voices of the women have a global resonance. This is not Kiarostami’s best film, but it is quite recent. The camera work and format of the story – two static camera’s that watch the actors who spend all their time driving around in a car – have a creative simplicity that is as much a part of the film as the conversations that underpin it.
No comments:
Post a Comment