
Beijing Bicycle, by the director Xiaoshuai Wang, is an example of the most recent wave of film-making in China. These films tend to have the gritty underground atmosphere of low budgets and handheld cameras (don't expect Hollywood!) -- using both style and content to generate a sense of subtly subverting state censorship.
This genre of film is also more individualistic and anti-romantic than the previous generation of Chinese films that were acclaimed in the 1990s. These changes and differences in the spectrum of Chinese films are perhaps a testimony to the diversity and dynamism of cultural sensibilities in contemporary China.
1 comment:
If you have seen this film and have thoughts about it, please post them here or send me an email.
Post a Comment